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Splice Archive
Save the Tiger (1973), forgotten today, features Jack Lemmon’s second Oscar winning performance.
A 2013 L.A. Review of Books interview with writer Jill Lepore vs. a 2023 Barely South Review interview with painter Solomon Enos.
Erin Brockovich is competent, professional, and nothing more.
A nation that can’t stop eating.
Recalling Martin Gardner’s contemplations of the afterlife.
Regaining stability by helping others.
Can’t help myself.
Send Help is a great start to another year of Horror Hollywood.
Where car parts and lights are manufactured without pressure from the city.
J.D. Considine’s masterpiece.
The psychology of interiors in Atom Egoyan's The Sweet Hereafter (1997).
Untitled Home Invasion Romance deserves to find an audience.
A reflection on Nighthawks modern isolation.
Guilt for being happy is weird.
Placing tribalism over principle leads to a perverted concept of justice.
A decent new horror offering.
Multiple cultural and political roads lead to a high-tech fascist Hell.
America lost its engine.
Hate for the right moves onto the national scene.
Stand your lingual ground.
Of analytic philosophy and shaving kits.
New film The Musical is a nasty, scathing portrayal of an anti-hero middle-school educator.
Hint: it's not for making New People.
Does prompting ChatGPT to write make you a writer as well?
The Led Zeppelin frontman on Charlie Feathers, The Low Anthem, Viktor Krauss, and more.
The legendary audio engineer talks about working with Nirvana, Slayer, Jeff Buckley, and more in this new interview with Rick Beato.
The former NFL player talks football, strip club etiquette, and more in this interview with Bill Maher.
The Wilco frontman talks about his new solo album, a triple-LP called Twilight Override, in this new interview.
The band perform the lead single from Antics on this September 2004 episode of The Tonight Show with Jay Leno.
The director and star of I Want Your Sex talk about Generation Z and new expectations regarding sex in movies.
A compilation of the director's appearances through the years on Letterman's NBC and CBS talk shows.
The actor talks about the hermetic and anti-exhibition policies of the giant streamer.
The singer talks disillusionment, integrity, and his uneasy relationship with the music industry just as his band was splitting up.
The band play three songs earlier this month at Hey Sailor in Seaport, Maine.
The second side of 1971's Jack Johnson, with an unforgettable bassline by Michael Henderson.