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Faces of Death is a fine meta-take on the infamous cult snuff film of the same name.
Balls Up is a significant step down from Peter Farrelly's recent films.
Tommy Lee Jones brings The Fugitive alive with his familiar authority and muted swagger.
My only regret is passing up the opportunity to star in Alice Doesn’t Live Here Anymore as the family pet.
The legacy of The Day After Tomorrow (2004) is Millennial climate neuroticism.
Exit 8 is a brisk and bracing Japanese sci-fi film.
You, Me, and Tuscany might have what it takes to revive the theatrical romantic comedy.
The Drama is a rare dark comedy that’s distinctly 2020s.
In less skilled hands, “On the Nature of Daylight” becomes a cipher for easy emotion.
You can’t save the world by putting down your phone.
Visiting Brian Cox (a friend).
The mediocrity and pernicious influence of American Pie.
An Orwellian government controls the people of Brazil in this 2025 film.
Not a recommendation.
His lack of ambition as a filmmaker is a weakness and a strength.
More Scorsese, less Chuck Norris.
Six movies Hollywood will never match again.
I’ll be back (maybe).
Predictions about nominated films.
Now that one rules the world, fabulist jokes just aren’t that funny anymore.
Oscar nominees available to see online.
Fincher talks about his 2007 crime epic with Bong Joon-ho at the Academy Museum.
The actor talks about working on The Hateful Eight, Marnie, and Family Plot.
The actor talks to Josh Horowitz about Project Hail Mary and his upcoming Star Wars film.
Making of featurette behind the scenes of Roger Kumble's 2002 comedy starring Cameron Diaz, Christina Applegate, and Selma Blair.
The directorial debut of Kane Parsons, starring Chiwetel Ejiofor, Renate Reinsve, and Mark Duplass.
The actor and filmmaker talks about Shampoo, The Friends of Eddie Coyle, No Country for Old Men, and more.
The screenwriter talks about Bryan Forbes' 1964 slowburn horror movie.
The producer talks about Indiana Jones and Lucas' disdain for "Hollywood morals."
The comedian praises Anderson's 1999 epic.