Departments
Splice Archive
Jesse Eisenberg’s A Real Pain looks phenomenal and has the courage to end on a down note.
Here forces the viewer the consider the contradictions in Robert Zemeckis' quintessentially Baby Boomer ideology.
The final stretch in preparing SATUR-19 for its gala premiere.
Mechagodzilla (1974) is full of regional Japanese references that North Americna audiences are likely to miss.
Conclave and Ghost in Baltimore.
Juror #2 is as fitting a closing statement as an icon like Eastwood could make.
The Christmas movie starring Dwayne Johnson and J. K. Simmons is a mixed bag, but far from terrible.
Clint Eastwood's final film is one of the year's best, and Warner Brother's is treating it like dirt.
Invasions of Body Snatchers ’78, Army of Shadows, and The Big Sleep at the Charles.
Godzilla vs. Megalon (1973) defined the franchise’s reception in the United States.
The Franchise asks if it's possible to make something commercially successful that’s also personal, thoughtful, and ambitious.
In praise of Annie Baker's Janet Planet.
Will Ridley Scott's new film add to his legacy?
HBO’s The Penguin has more in common with Tony Soprano’s world than Bruce Wayne’s.
Dark gothic Marvel and other history-altering decisions.
“Nature, like the vampire, will not stay in its grave.”
Kubrick’s Aryan Papers, The Zone of Interest, and... Noovie?
The future of film screenings may be transforming into something closer to live performance.
Lord Haw-Haw and Lady Gaga want to see superhero movies burn.
Woman director places audience in hammerlock.
It shines a spotlight on DEI grifters profiting by drumming up white guilt.
The director and cinematographer talks about his new book and his work in Hollywood.
Kermode reviews Ridley Scott's latest film.
The filmmaker talks about Megalopolis and his needs as an artist on The Late Show with Stephen Colbert.
Maher talks to the director of Back to the Future, Forrest Gump, and I Wanna Hold Your Hand on the occasion of his latest film, Here.
The duo are befuddled by Robert Altman's much maligned sci-fi movie starring Paul Newman.
The actor talks about his iconic film in this July 12, 1973 interview on The Dick Cavett Show.
The English film critic on Ali Abassi's new Trump movie starring Sebastian Stan and Jeremy Strong.
The filmmaker talks to Bobbie Wygant about her third and, as of now, most recent directorial effort.
The filmmaker talks about his new movie with Marianne Jean-Baptiste at the New York Film Festival.