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Splice Archive
Highest 2 Lowest is a surprisingly slack disappointment from Spike Lee.
High Noon, The Fly, and Picnic at Hanging Rock (Cinema Survey 27).
Relay is a fine, small film, but it can only do so much and reach so many people.
Nobody 2 is a decent sequel that doesn't live up to its potential.
The Continuing Adventures of Cliff Booth don’t mean you no harm. Mood
Eddington shows that point-for-point political squabbling is useless as long as underlying machinations in the American political system remain un-addressed.
Mission: Impossible—Fallout (2018) is a well-oiled machine of a film that nevertheless lasts too long, with a central hero-villain conflict that has no real chemistry.
Weapons is another drama smuggled into theaters as horror.
A Little Prayer is one of the best films of 2025 that almost no one will see.
The Pickup has an impressive cast (Eddie Murphy, Keke Palmer, Pete Davidson, Eva Longoria, Andrew Dice Clay), but it simply isn't funny.
Week two of The Continuing Adventures of Cliff Booth continues apace.
Mission: Impossible Rogue Nation is the only sequel in the series that approaches Brian De Palma's 1996 film.
Before there was Psycho, there was the Christo-fascist slasher.
A24's new satirical thriller had an underwhelming response at the Sundance Film Festival, but Opus is more interesting than credited.
Looking into the legacy created by Brian De Palma with the first of many Mission: Impossible films.
The new Fantastic Four movie has no MCU stink about it.
Its remake 50 years later, A Bigger Splash, fiddles too much with a winning formula and gets lost.
The 2006 follow-up in the Mission: Impossible franchise is not very smart, lacks thematic ideas, and never takes flight.
Superman is silly again, and I guess I’m happy for the ADHD kids.
Gunn’s passion for comic book-style storytelling comes through in his recent projects.
The eight film franchise chases the ultimate success of the first.
The filmmaker talks to Roger and James Deakins about reshoots, directing Out of Sight, and more in this new interview.
The director talks about Megalopolis, the future of cinema, and more in this October 2024 interview.
The filmmaker talks to Kevin McCarthy about aspect ratios, sound design, favorite shots, and more.
The French master director talks about how her films "don't exist" because of patchy distribution and more in this 2011 interview.
The Eddington director talks about his new film, conspiracy theories, artificial intelligence, and more in this new interview.
A compilation of behind the scenes footage from the sets of Fight Club, Panic Room, Zodiac, The Social Network, and more.
The director of Eddington talks to Hader about A Clockwork Orange, genre films, and finding the humor in Hereditary.
The late actor talks about his firefighter father, working with Michael Jackson and Marlon Brando, and the loneliness of Hollywood.
The late actor talks about Reservoir Dogs and more in this February 17, 1994 interview.