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The Feed Archive
Film Review:
Where Hands Touch
is a Tremendous Miscalculation
7 years ago
Film Review:
Fahrenheit 11/9
Is Righteous But Incoherent
7 years ago
Film Review:
Mandy
Can Be Boring, But Nicolas Cage Remains a Champion
7 years ago
Film Review:
Crime + Punishment
is Troubling
7 years ago
Film Review:
Juliet, Naked
is Draped in Generic Meat
7 years ago
Film Review:
We the Animals
Overcomes Its Preciousness
7 years ago
Film Review: You Should Support
Support the Girls
7 years ago
To All the Boys I’ve Loved Before
is Unmemorable But Harmless
7 years ago
Skate Kitchen
is a Breezy, Sometimes Raw Ride
7 years ago
Film Review:
BlacKkKlansman
Packs in a Lot of Ideas, But Doesn’t Quite Pull Them All Off
7 years ago
Never Goin’ Back
is Crass, Aimless Fun
7 years ago
Film Review:
Unfriended: Dark Web
is a Blast
7 years ago
Film Review:
Mission: Impossible—Fallout
is an Unmatched Action Movie
7 years ago
Film Review:
McQueen
is a Satisfying Documentary
7 years ago
Film Review:
The Third Murder
is a Realist Mystery With a Dissatisfying Solution
7 years ago
Film Review:
Don’t Worry, He Won’t Get Far On Foot
Doesn’t Carry its Subject’s Spirit
7 years ago
Film Review:
Eighth Grade
is a Cringey but Warm Look at Adolescence
7 years ago
Film Review:
Ryuichi Sakamoto: Coda
Avoids Aged Artist Cliches
7 years ago
Film Review: The Shagginess of
Ant-Man and the Wasp
7 years ago
Film Review:
On Chesil Beach
Suffers From Too Much Padding
7 years ago
More Boring Biopics
7 years ago
Film Review: Wim Wenders’ Dull
Pope Francis: A Man of His Word
7 years ago
A Bracing Lack of Apologia
7 years ago
Film Review:
The Seagull
is Another Dumb Cinematic Translation of a Play
7 years ago
Film Review:
Disobedience
Misses Greater Potential
7 years ago
Splice Original Archive
Crazy Rich Asians
is a Movie of Discomfiting Vacuity
7 years ago
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